I worked into this piece through a back door. My mind works all the time and it seems, sometimes, that I am wired way different than many of my friends! I am working on a 11 by 14 stretched canvas. And I came across an alcohol reduction method in the current issue of Cloth Paper Scissors. The technique has certainly been around for some time, or at least versions of it. And I have happily been using rubbing alcohol with my acrylics for at least two years. So what makes this method a little different from what I am doing is that the author of the article (Patricia Eggebruch) paints her entire gessoboard with 7 to 10 layers of acrylic paints ,different colors, and then rubs areas of her board with rubbing alcohol to reveal rich colors beneath the top most layers. I thought her work was way cool so I really wanted to try it with my canvas. The canvas piece is in a painful stage right now. I am stuck from a composition view point. And I am nervous about covering up everything. So as I fretted about all this I thought that I should try out this technique on a scrap of Illustration board.
Switch to the found art topic of Voice. I could not get the phrase out of my mind.."And a voice cried out in the dark." Don't know where I heard that or if I read it, or made it up..but that darn phase would not get out of my head. I pictured darkness with words being voiced. So in between waiting for collaged items on my canvas to dry, I picked up a scrap of illustration board and went at it. I now understand why gessoboard or ampersand board is used. You have to have a firm surface to be able to work through the multiple layers of paint. I am still going to try this with my canvas but I am still a little leery because the stretched canvas is flimsy. Oh well at least I am not going into it blind. So my piece is called "Help Me," and it is my "voice" in the dark. Weird huh? The image is about 3 3/4 inches by 6 inches. Acrylics, inks and words from a book were used.